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cozmin razvan olalau

My recent artworks are made in Photoshop, this way I am able to experiment and create my ideas faster. I like the messiness of the digital canvas without actually creating a mess, this is essential in current times as I don’t have access to a studio yet.  


Even if I work within the digital space. I am intrigued, and I do want to practice my style concept on linen and larger canvas. 

When I portray, I paint the essential parts of the model hyper realistic (for example, face, eyes, body parts) and the emotions in a spontaneous way. I think this adds a feel of balance to the painting.  
 
Will a larger space make the painting more powerful? Would the use of my body, in the process of the making, enhance the painting’s expressiveness? This by using it as being the brush and the manipulator of feelings? 
I can practice this by throwing paint, moving, using anger and sadness etc. Bringing my art practice to a completely new level, from a digital static painting to almost being a performance. 

In my work I am interested in showing the unknown, the hidden, the forgotten thoughts, fears and dreams; as well as the psychological states of mind of an individual to the public, transforming a subject’s appearance by showing the hidden self.  
Do certain elements that make up the composition lead to the idea of a certain feeling or action? 

The colors I use match the feelings I want to transmit, and they are applied with fluent brushstrokes yet the way they are interpreted differ from person to person, the initial reaction is triggered by the viewer’s experiences. Some might experience different feelings and relate in different ways.

@cozmy_cozma 

Under Control.jpg
Under Control1.jpg

under control

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